{"id":290,"date":"2025-10-09T20:44:48","date_gmt":"2025-10-09T19:44:48","guid":{"rendered":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/?page_id=290"},"modified":"2025-10-30T10:36:49","modified_gmt":"2025-10-30T10:36:49","slug":"postcards","status":"publish","type":"page","link":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/postcards\/","title":{"rendered":"Postcards"},"content":{"rendered":"\n<p>In keeping with the theme of the conference, we asked speakers to send us a postcard of their choice, featuring a few brief words about their paper, and anything else that came to mind. We were overwhelmed by the response!<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"304\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-back-half-768x1024.jpg\" alt=\"\" class=\"wp-image-304\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-back-half-768x1024.jpg 768w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-back-half-225x300.jpg 225w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-back-half-rotated.jpg 1530w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"305\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-front-half-768x1024.jpg\" alt=\"\" class=\"wp-image-305\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-front-half-768x1024.jpg 768w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-front-half-225x300.jpg 225w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Chapel-Hill-front-half-rotated.jpg 1530w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Ashley Walker from Chapel Hill, North Carolina, on Penelope&#8217;s postal problem (above)<\/p>\n\n\n\n<p class=\"has-text-align-left\">Gwyneth Jones, Open University, quotes a letter from Fanny Imlay to her half-sister Mary Shelley (below)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"311\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-back-half-1-768x1024.jpg\" alt=\"\" class=\"wp-image-311\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-back-half-1-768x1024.jpg 768w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-back-half-1-225x300.jpg 225w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-back-half-1-rotated.jpg 1530w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"310\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-half-2-768x1024.jpg\" alt=\"\" class=\"wp-image-310\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-half-2-768x1024.jpg 768w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-half-2-225x300.jpg 225w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Flamingo-half-2-rotated.jpg 1530w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"715\" data-id=\"317\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ewe-Rams-1024x715.jpg\" alt=\"\" class=\"wp-image-317\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ewe-Rams-1024x715.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ewe-Rams-300x210.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" data-id=\"316\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ewe-Rams-back-cropped-1024x725.jpg\" alt=\"\" class=\"wp-image-316\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ewe-Rams-back-cropped-1024x725.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ewe-Rams-back-cropped-300x212.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Isabelle Parsons on a sci-fi classic (above).<\/p>\n\n\n\n<p class=\"has-text-align-left\">&#8216;An epistolary habit is hard to shake.&#8217; Robyn Marsack, writing from Glasgow, quotes Michael Schmidt (below)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" data-id=\"322\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/ABC-cropped-1-678x1024.jpg\" alt=\"\" class=\"wp-image-322\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/ABC-cropped-1-678x1024.jpg 678w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/ABC-cropped-1-199x300.jpg 199w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"658\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/ABC-cropped-back-1024x658.jpg\" alt=\"\" class=\"wp-image-318\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/ABC-cropped-back-1024x658.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/ABC-cropped-back-300x193.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-left\">Carmen G\u00f3mez-Galisteo tells us that Louisa May Alcott signed off her letters with &#8216;Yours for reform of all kinds&#8217; (below)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"714\" data-id=\"323\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Atienza-cropped-1024x714.jpg\" alt=\"\" class=\"wp-image-323\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Atienza-cropped-1024x714.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Atienza-cropped-300x209.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"733\" data-id=\"324\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Atienza-back-cropped-1024x733.jpg\" alt=\"\" class=\"wp-image-324\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Atienza-back-cropped-1024x733.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Atienza-back-cropped-300x215.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-left\">Naomi Walker quotes from one of Jane Austen&#8217;s final letters (below)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"1024\" data-id=\"326\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Austen-cropped-766x1024.jpg\" alt=\"\" class=\"wp-image-326\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Austen-cropped-766x1024.jpg 766w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Austen-cropped-224x300.jpg 224w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"742\" data-id=\"327\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Austen-back-cropped-1-1024x742.jpg\" alt=\"\" class=\"wp-image-327\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Austen-back-cropped-1-1024x742.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Austen-back-cropped-1-300x217.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-left\">Stella Halkyard writes from rainy Manchester (below). Edwin Morgan&#8217;s letters are stored in the Carcanet archive, on which Stella will be presenting at the conference.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"1024\" data-id=\"332\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Edwin-Morgan-cropped-1-660x1024.jpg\" alt=\"\" class=\"wp-image-332\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Edwin-Morgan-cropped-1-660x1024.jpg 660w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Edwin-Morgan-cropped-1-193x300.jpg 193w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"631\" data-id=\"333\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Edwin-Morgan-back-cropped-2-1024x631.jpg\" alt=\"\" class=\"wp-image-333\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Edwin-Morgan-back-cropped-2-1024x631.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Edwin-Morgan-back-cropped-2-300x185.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"958\" data-id=\"335\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-back-cropped-1024x958.jpg\" alt=\"\" class=\"wp-image-335\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-back-cropped-1024x958.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-back-cropped-300x281.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1016\" data-id=\"336\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-cropped-1024x1016.jpg\" alt=\"\" class=\"wp-image-336\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-cropped-1024x1016.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-cropped-300x298.jpg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Hedgehog-cropped-150x150.jpg 150w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Nadia Georgiou finds the sun shining on Derbyshire (above), while Kim Wiltshire prepares to read <em>Strangers on a Train <\/em>(below)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-11 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"701\" data-id=\"338\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Manchester-back-cropped-1024x701.jpg\" alt=\"\" class=\"wp-image-338\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Manchester-back-cropped-1024x701.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Manchester-back-cropped-300x205.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"721\" data-id=\"337\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Manchester-cropped-1024x721.jpg\" alt=\"\" class=\"wp-image-337\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Manchester-cropped-1024x721.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Manchester-cropped-300x211.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-12 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"748\" height=\"1024\" data-id=\"340\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ocampo-cropped-back-748x1024.jpg\" alt=\"\" class=\"wp-image-340\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ocampo-cropped-back-748x1024.jpg 748w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ocampo-cropped-back-219x300.jpg 219w\" sizes=\"auto, (max-width: 748px) 100vw, 748px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"1024\" data-id=\"339\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ocampo-cropped-735x1024.jpg\" alt=\"\" class=\"wp-image-339\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ocampo-cropped-735x1024.jpg 735w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ocampo-cropped-215x300.jpg 215w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Silvina Katz on the challenge of researching Silvina Ocampo, who described herself as &#8216;like the animals who hide what they love most.&#8217; (above)<\/p>\n\n\n\n<p class=\"has-text-align-left\">Below, Roberta Zanasi quotes from Elizabeth Gaskell&#8217;s <em>Cranford<\/em>, on the moment of posting a letter: &#8216;It was gone from me like life, never to be recalled.&#8217;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"692\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/plaza-cropped-1024x692.jpg\" alt=\"\" class=\"wp-image-342\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/plaza-cropped-1024x692.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/plaza-cropped-300x203.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Plaza-back-cropepd-1024x676.jpg\" alt=\"\" class=\"wp-image-341\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Plaza-back-cropepd-1024x676.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Plaza-back-cropepd-300x198.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>A beautifully crafted postcard from Mark Borthwick, in Edinburgh, &#8216;sipping homemade kombucha and delighted&#8217;! (below)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-13 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"733\" data-id=\"343\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Seeds-of-change-cropped-back-1024x733.jpg\" alt=\"\" class=\"wp-image-343\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Seeds-of-change-cropped-back-1024x733.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Seeds-of-change-cropped-back-300x215.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" data-id=\"344\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Seeds-of-change-cropped-1024x724.jpg\" alt=\"\" class=\"wp-image-344\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Seeds-of-change-cropped-1024x724.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Seeds-of-change-cropped-300x212.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-14 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"706\" data-id=\"357\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Blooming-back-cropped-1024x706.jpg\" alt=\"\" class=\"wp-image-357\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Blooming-back-cropped-1024x706.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Blooming-back-cropped-300x207.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"715\" data-id=\"358\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Blooming-cropped-1024x715.jpg\" alt=\"\" class=\"wp-image-358\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Blooming-cropped-1024x715.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Blooming-cropped-300x209.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>&#8216;Give me Whitman!&#8217; Jennifer Burek Pierce, writing from Bloomington, Indianapolis, quotes poet Mary Ellen Solt (above).<\/p>\n\n\n\n<p>Maya Haidar, of Sorbonne Universit\u00e9, writes to us in advance of her paper on Emily Eden and Toru Dutt. The drawing, by Samir Biswas, shows the Victoria Memorial Hall, in Kolkata.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-15 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"727\" data-id=\"379\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Maya-cropped-back-1024x727.jpeg\" alt=\"\" class=\"wp-image-379\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Maya-cropped-back-1024x727.jpeg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Maya-cropped-back-300x213.jpeg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Maya-cropped-back.jpeg 1550w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"737\" data-id=\"378\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Palace-cropped-front-1-1024x737.jpeg\" alt=\"\" class=\"wp-image-378\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Palace-cropped-front-1-1024x737.jpeg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Palace-cropped-front-1-300x216.jpeg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Palace-cropped-front-1.jpeg 1445w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>We received three beautiful postcards from Ay\u015fe Nur \u00d6\u011f\u00fct. The first (below) is from the SALT archive (Salt Research, Said Bey Archive &#8211; see <a href=\"https:\/\/archives.saltresearch.org\/handle\/123456789\/29679\">here<\/a> for full reference). The quotation on the reverse is from the novel <em>Kiral\u0131k Konak<\/em> (<em>The Mansion for Rent<\/em>, 1922) by Yakup Kadri Karaosmano\u011flu.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-16 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"745\" height=\"1024\" data-id=\"380\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-front-745x1024.jpg\" alt=\"\" class=\"wp-image-380\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-front-745x1024.jpg 745w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-front-218x300.jpg 218w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-front.jpg 1343w\" sizes=\"auto, (max-width: 745px) 100vw, 745px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-17 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"747\" data-id=\"383\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-back-1024x747.jpg\" alt=\"\" class=\"wp-image-383\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-back-1024x747.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-back-300x219.jpg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-1-back.jpg 1891w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Ay\u015fe Nur \u00d6\u011f\u00fct&#8217;s second postcard (below) features a quotation from <em>Handan <\/em>(1912) by Halide Edip Ad\u0131var.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-18 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"721\" data-id=\"385\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-front-1024x721.jpg\" alt=\"\" class=\"wp-image-385\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-front-1024x721.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-front-300x211.jpg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-front.jpg 1709w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"772\" data-id=\"384\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-back-2-1024x772.jpg\" alt=\"\" class=\"wp-image-384\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-back-2-1024x772.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-back-2-300x226.jpg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-2-back-2.jpg 1671w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>The third postcard (below) quotes from Ahmet Mithat Efendi&#8217;s <em>Yery\u00fcz\u00fcnde Bir Melek<\/em> (1879)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-19 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"1024\" data-id=\"386\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-front-767x1024.jpg\" alt=\"\" class=\"wp-image-386\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-front-767x1024.jpg 767w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-front-225x300.jpg 225w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-front.jpg 1369w\" sizes=\"auto, (max-width: 767px) 100vw, 767px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-20 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"765\" data-id=\"387\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-back-1024x765.jpg\" alt=\"\" class=\"wp-image-387\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-back-1024x765.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-back-300x224.jpg 300w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/Ayse-3-back.jpg 1822w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Barbara Hochman has long been intrigued by this image (below) &#8212; as elusive as the Mona Lisa&#8217;s smile.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-21 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" data-id=\"418\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/B-Hochman-718x1024.jpg\" alt=\"\" class=\"wp-image-418\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/B-Hochman-718x1024.jpg 718w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/B-Hochman-210x300.jpg 210w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"998\" src=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/B-Hochman-2-1-1024x998.jpg\" alt=\"\" class=\"wp-image-419\" srcset=\"https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/B-Hochman-2-1-1024x998.jpg 1024w, https:\/\/digital-humanities.open.ac.uk\/dhou-data\/uploads\/sites\/3\/2025\/10\/B-Hochman-2-1-300x292.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In keeping with the theme of the conference, we asked speakers to send us a postcard of their choice, featuring a few brief words about their paper, and anything else that came to mind. We were overwhelmed by the response! Ashley Walker from Chapel Hill, North Carolina, on Penelope&#8217;s postal problem (above) Gwyneth Jones, Open <a href=\"https:\/\/digital-humanities.open.ac.uk\/letters2025\/postcards\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Postcards<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-290","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/pages\/290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/comments?post=290"}],"version-history":[{"count":15,"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/pages\/290\/revisions"}],"predecessor-version":[{"id":420,"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/pages\/290\/revisions\/420"}],"wp:attachment":[{"href":"https:\/\/digital-humanities.open.ac.uk\/letters2025\/wp-json\/wp\/v2\/media?parent=290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}